![]() Maxine Hughes attempts to secure a sit down with the former President for this Welsh documentary. The revealing series concludes with Ed Stafford heading to estates east of Glasgow to survey the crippling impact of the cost-of-living crisis on a community already beset by drug addiction. The two men offer frank, engaging accounts of the media scrutiny and mutual respect. This superb series arrives at one of the great sport rivalries, a clash of styles, temperaments and headbands as Bjorn Borg and John McEnroe squared off in two successive Wimbledon finals. The judging panel includes mezzo-soprano Bernarda Fink and Aidan Lang, general director of Welsh National Opera. Dermot O’Leary and Alex Scott introduce the action where silliness nestles alongside sporting prowess.Īiring for the next five nights, this annual contest assembles 16 young performers and begins with singers from South Korea, Canada, England and South Africa, only one of whom will progress to Thursday’s final. The singer and long-time Songs of Praise presenter Katherine Jenkins travels to London’s Syon House, where she is moved to look back on the highlights of her time on the show, from visits to Caldey Island, Gas Street Church in Birmingham and the Tower of London to favourite hymns including Amazing Grace, Lord Thy Church on Earth is Seeking and Praise, My Soul, the King of Heaven.Īlways a reliable source of hilarious incongruity – remember Diego Maradona taking a penalty against Jamie Theakston? – this year’s charity beanfeast sees Mo Farah, Jill Scott and Tom Hiddleston lead the English line against a World XI including Usain Bolt, Patrice Evra and, honouring his Irish roots, Lee Mack. But there is much to enjoy here, nonetheless. ![]() ![]() Her final years are more familiar and thus less intriguing, while the conclusion that she will remain “an enigma” feels limp. The 1950s and 1960s are intriguingly posited as a time when the tightrope walk of personal and professional responsibilities felt especially precarious, her many tours of duty creating the impression of an absent mother fly-on-the-wall series The Royal Family was a response effective enough to alarm the Queen into withdrawing the footage. Beginning with a childhood whose relative seclusion was made possible by the unlikelihood of her ever ascending the throne, it takes us through the war years, in which she was successfully repositioned as a princess of the people, through to the televised Coronation which appeared to present the perfect marriage of tradition and modernity. While it proves impossible to condense the extraordinary life and times of Queen Elizabeth II, Richard Shaw’s film assembles some experienced pundits and excellent footage to scrutinise the relationship between the late Queen and her public over her 96 years.
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